General Education

Courses

MUGN 121: First-Year Experience

Credits 2

First-Year Experience establishes and strengthens college-level writing and communication skills through foundational subject areas of CIM’s general education curriculum. The common element of shared learning is vital and the best class discussions extend into 1609 Hazel and CIM’s hallways. This two-semester course provides a base of skills you will use and cultivate further throughout your CIM experience. Topics covered will include community engagement, entrepreneurism, teaching artistry, and music from outside the Western European vein.

MUGN 122: First-Year Experience

Credits 2

First-Year Experience establishes and strengthens college-level writing and communication skills through foundational subject areas of CIM’s general education curriculum. The common element of shared learning is vital and the best class discussions extend into 1609 Hazel and CIM’s hallways. This two-semester course provides a base of skills you will use and cultivate further throughout your CIM experience. Topics covered will include community engagement, entrepreneurism, teaching artistry and music from outside the Western European vein.

MUGN 330: Contemporary Issues in Music

Credits 3

This class examines issues that classical music and the classical musician face within society and culture. Topics such as sexism, racism, "cancel culture," repertoire choices by major orchestras, government funding, activism and social media will be discussed, including their impact, how the modern musician navigates them and how musicians can leverage their skills to create a better world.

MUGN 335: Music and Science Frontiers

Credits 3
Researchers are discovering more connections between science and music every day. This class examines some of the most groundbreaking and interesting research on music's broader connections, including how musical temperament relates to the physics of temperature and entropy; the psychology of music and its effects on learning, mood, personality and executive function; the mathematics of harmonic motion; and music's use in medicine as therapy.

MUGN 340: Music in Culture

Credits 3
We most often focus on music digested through concert performance. However, music is sought out, heard and understood in a variety of ways outside concerts and as such, it integrates itself much more deeply into culture. In this class, we will examine landmark cultural events and traditions in which music plays a pivotal role, including classical music’s ties to patriotism, film music, use of music in sporting events, its association with social causes and more. We will examine why music is a pivotal aspect of these things and how it serves as a means of connection for individuals engaging with these various faces of culture.

MUGN 355: Musical Entrepreneurship and Digital Communication

Credits 3

Musical Entrepreneurship and Digital Communication blends class gatherings, guest perspectives, and independent study, closely supervised by the instructor. The intensive is tailored to each student’s digital literacy and interest, and provides a framework for growth as informed, confident digital communicators.

Foundational concepts including success metrics, brand identity, audience development, accessibility, and content strategy will be applied to digital audiovisual media trends, music equity innovation, and program design and marketing. Students will use a variety of digital resources and tools and learn to identify and evaluate digital media opportunities. Students will integrate the intensive curriculum into cohesive individual digital projects that serve their personal strategies as musician, performer, educator, and arts advocate.

Assignments include readings and multimedia, written assignments, interviews, participation, presentations, and peer reviews. Some classes may take place remotely.

MUGN 360: Physics of Music

Credits 3

Fulfills an elective or the general education requirement for math/science/reasoning. Examine the fundamental physics of sound, acoustics and human hearing and how to apply these ideas to musical topics.

MUGN 360: Physics of Music

Credits 3
This course will examine the fundamental physics of sound, acoustics and human hearing, and apply these ideas to musical topics, including music theory, intonation, timbre, concert hall design and performance considerations. This course will employ basic algebra and trigonometry.

MUGN 365: Performance Psychology

Credits 3

Fulfills an elective or the general education requirement for social science. Learn how to use research-based psychological practice in performance.

MUGN 365: Performance Psychology

Credits 3
Students will learn how to use research-based psychological practice in performance, including a literature review of the research, implementation of established techniques, creation of new techniques and the pedagogy of these principles.

MUGN 375: Engaging and Serving our Communities

Credits 3
Through texts, discussions and practicum, we will explore issues of contemporary society and the roles artists can play in the communities in which they work. Students will be introduced to a range of topics including service learning, outreach, teaching artistry and methods for partnering with a community organization. Together as a class we will uncover and hone possibilities for our own artistry in serving the needs of today’s world. This course examines models and approaches of community engagement for musicians, as well as the relevant professional development topics involved in this field.

MUGN 385: The Experience of Hearing and Performance

Credits 3
Music engages the brain in a multitude of ways, and our relationship with it, both as listeners and performers, is tremendously complex. In this class, we will examine the auditory, visual, motor and cognitive components of musical listening and performance. This will be approached from psychological, cultural, aesthetic, social and historical perspectives.

MUGN 398: Senior Seminar

Credits 1

This one-hour course covers a variety of professional development topics via presentations/guest speakers and ensures proper review of professional materials (i.e. resumes and cover letters). The capstone assignments are (1) program notes on an assigned work for the student’s senior recital and (2) a self-guided performance project to take place outside of CIM.

MUGN 401: Master’s Seminar

Credits 3

Classical musicians must often act as communicators, educators, advocates and researchers in order to advance their musical goals and visions. This course will provide opportunities to develop your research, writing and public speaking skills, and will help prepare you for the music history portion of your comprehensive exams, which involves submitting a recital program and annotated bibliography of resources consulted, in preparation for writing essays to assess your ability to integrate your knowledge of music history and literature.

MUGN 455: Musical Entrepreneurship and Digital Communication

Credits 3

Musical Entrepreneurship and Digital Communication blends class gatherings, guest perspectives, and independent study, closely supervised by the instructor. The intensive is tailored to each student’s digital literacy and interest, and provides a framework for growth as informed, confident digital communicators.

Foundational concepts including success metrics, brand identity, audience development, accessibility, and content strategy will be applied to digital audiovisual media trends, music equity innovation, and program design and marketing. Students will use a variety of digital resources and tools and learn to identify and evaluate digital media opportunities. Students will integrate the intensive curriculum into cohesive individual digital projects that serve their personal strategies as musician, performer, educator, and arts advocate.

Assignments include readings and multimedia, written assignments, interviews, participation, presentations, and peer reviews. Some classes may take place remotely.

MUGN 475: Engaging and Serving our Communities

Credits 3
Through texts, discussions and practicum, we will explore issues of contemporary society and the roles artists can play in the communities in which they work. Students will be introduced to a range of topics including service learning, outreach, teaching artistry and methods for partnering with a community organization. Together as a class we will uncover and hone possibilities for our own artistry in serving the needs of today’s world. This course examines models and approaches of community engagement for musicians, as well as the relevant professional development topics involved in this field.